ALLEN & HEATH MixWizard WZ3 16:2 Instrukcja Użytkownika Pobierz pdf (Strona 12)

® Stereo mode switch - pressing the

switch configures the related

odd/even numbered mixes for mono

or stereo operation

® PFL, signal and peak LEDs

® Mono or stereo AFL - pressing

both AFL switches on a pair of

channels checks the mix output in

stereo

® Metering - Twin 3-colour, 12

segment bargraphs show the level

of the left and right engineer’s

monitor signals

® 19-inch rack-mount or desktop

configuration

® Quick Change Connector (QCC)

® Built-in power supply with back-up

input socket.

® Headphone sockets for both 1/4"

and mini jack

FEATURES

® 16 mic/line inupts with balanced

XLR connectors and TRS jack

inserts

® Built-in passive mic splitter with

ground lift switch

® High performance WZ3 preamp

® Responsive 4-band EQ with 2

sweepable mids and in/out switching

® 12 mix outputs available as mono

or stereo pairs on colour-coded

60mm faders. Sends 1-4 are

switched pre/post fader and sends

5-12 are set to postfade operation

Without side trims Deskmount with

for rackmount - mm(") side trims - mm(")

Width 483 (19) 507 (20)

Height 444 (17) 194 (8)

Depth 122 (5) 530 (21)

Weight 10kg (22lbs) 10kg (22lbs)

MECHANICAL SPECIFICATIONS

The

12M is an easy-to-use

compact mixer for on-stage

monitoring. Developed to cater for

the demand for multiple stereo

mixes on stage for personal

headphone monitoring, Wizard

Monitor allows musicians to easily

control their own mixes on stage,

while the mixer will also be at home

in rehearsal rooms and studios.

High Performance Preamp

The mic preamp is probably the most

important stage in the console’s signal

path and its performance is often the

measure of the quality of the console.

The PA Series uses a high grade dual-

stage design, developed from our top-end

range of ML and GL consoles. This ensures

optimum matching and very low noise

when connecting mic or line sources.

Parametric Output EQ

A 4 band equaliser with swept frequency

on each band provides more precise

optimisation of the speaker system and

control of feedback than the typical fixed

frequency graphic type EQ found on

similar consoles. Download the free EQ

Visualiser programme from our website to

learn more about using this powerful tool.

PA SERIES

STEREO LIVE MIXERS

KILLER FEATURES

ALLEN&HEATH’s years of ‘real world’ experience with large format touring desks has resulted in many innovative

touches being incorporated into the design of the PA Series of stereo live compact mixers. The range brings a

classic, feature-packed pro audio design with the same superior build and sound quality to an even wider

audience, so that now every aspirational performer or rental company supporting them can benefit from a truly

professional system.

‘Walk up and go’ is a perfect description for the PA Series mixer – all the controls you expect are logically placed so that you stay in control

under the pressure of any performance. The 4 band EQ on inputs and outputs and clever output routing are unique and will ensure you get

the best out of the system, while features such as individual phantom power switches and SPDIF recording output add professional finishing touches.

Add sparkling clarity to your performance with the superior sound quality of a PA Series mixer.

Filter

Each mono input channel is equipped

with a 100Hz high-pass filter, an invaluable

tool for cleaning up the mix. The majority

of live sound sources have very little content

below 100Hz, and modern microphones

have wide frequency response and can

pick up bleed from nearby low frequency

sources such as bass and kick drums.

The filter can be used: on vocal channels

to reduce mic handling noise and close

proximity ‘popping’; on drum overhead

mics to reduce kick and bass pick up; on

higher frequency instruments such as

flute and acoustic guitar; and on stage

mics to reduce foot noise.

Recording Outputs

There is a digital SPDIF 2-track output

available from a RCA phono socket for

recording direct to digital media, such as

PC soundcards, DAT and digital audio

processors. The recording send can be

switched pre-fade if desired. An analogue

recording output is also available.

4 Band Channel EQ

Another design innovation taken from

ALLEN&HEATH’s flagship range, the 4 band

input EQ is every bit a pro tool. The low

[60Hz] and high [12kHz] bands have

shelving response, while the high-midrange

band is sweepable from 350Hz to 6 kHz.

Low-midrange EQ has a bell response at

250Hz - a frequency chosen to provide

reduction of ‘muddy’ sounds and

enhance ‘warmth’.

Lamp socket

A 4 pin lamp connector is provided on

the rear of the control surface.

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